Kinetik by SoundSpot | Multi-FX Tutorial & Review of Key Features
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In this video, Joshua Casper gives you a review of the key features for Kinetik by Soundspot.
After years of creating professional audio tools used by some of the worlds most prolific and successful producers, the SoundSpot team have decided to introduce a series of artist plugins that will bring the workflow of these world-renowned professionals into the hands of music creators worldwide.
The first in our range kicks off with KINETIK, a plugin we have closely developed with STANDERWICK, who in just 5 years has become one of the top-selling global electronic dance music producers with multiple No.1 selling tracks and remixes for Armin Van Buuren and Tiesto to name a few.
This plugin encapsulates and represents STANDERWICK”s production workflow and is a unique tool that bridges across all music genres. We have created something that we are confident will find its way into your production workflow and become a definite reach-to plugin you will use on all of your projects.
KINETIK is a Compressor, EQ and Overdrive in one single easy to use plugin that you’re going to find very useful indeed!
As an optical style compressor, there is no need for attack and release parameters. You simply pull back the rotary slide to begin the signal reduction. Attached to the reduction function is an option to select between, Transparent (Circles Icon), Analog (Flame Icon) & Optimised (Transient Icon). Each of these settings introduce a different character to the sound allowing you to achieve the best results based on your source material.
Next is the EQ section. This is a 4 band parametric EQ that included high & low shelf/cut options, and also a bell filter for notching or boosting select frequencies. The bandwidth is set to a permanent 12dB oct which after extensive testing has proved to deliver the most natural results. Each EQ can be selected by clicking one of the slide icons.
The final parameter in the chain is the Drive section, which allows you to increase additional harmonics to the sound. The drive function also has the option to select between, Transparent (Circles Icon), Analog (Flame Icon) & Optimised (Transient Icon) the same as found on the Reduction parameter.
To the lower left and right of Kinetik you will find input and output sliders, this allows you to control the gain of the plugin.
The bottom of the plugin we have included a signal flip parameter which changes the order of the compressor and EQ, along with a global bypass button.
Each of the parameters in the Kinetik includes an individual bypass control allowing for precise A/B testing.
The meter section displays input gain, output gain and reduction. The reduction meter can be flipped from 0 to -12 display to 0 to -4 display for more accurate monitoring.
Getting the best results
To get the very best results from the Kinetik, you need to ensure that the input and output meters are bouncing into the green lines using the input and output sliders. You’ll know if you’ve gone too far as clip lights will be displayed when signals are pushed too hard. Also keeping the gain reduction around -3dB to -4dB will give the best results on most material, however, this may need to be driven a little harder on some material.